
I finally watched Indonesian movie "Merantau" a couple of weeks ago.
I
was amazingly surprised. The movie touched me on several levels.
First
of all as the average viewer, this movie amazed me due to the fact that
it tells the story of a man who tries to do the right thing and that he
has amazing fighting skills. What was touching is the fact that he was
willing to risk his life for the sake of helping others and for
the sake of making his mother proud of him.

As a fan of Asian cinema I was touched to see all the
things that I would put in a movie myself. Martial arts, drama and some kind of
a heroic bloodshed moment. There is a moment where someone is gunned down
Chow Yun-fat-style, but not a moment did it feel out of place in the
overall film.
And last
but not least, as someone who has a slight idea about the process of
making this film (and making films in general) I was absolutely amazed
to see that Gareth Evans, a British-born director, pulled it off. And as his theatrical film debut,
"Merantau" was more than convincing, especially since he worked with
cast & crew whose language he probably doesn't speak (or haven't
spoken at that time. Or maybe I'm completely wrong and he studied
Indonesian. If so, excuse my pretentiousness.) I know what it's like to
prepare a film and work on a set if you have to communicate through
interpreters. Even though you get used to it during the process, it can
be tiring. After a while, though, while I was working on a couple of film projects with international cast & crew, many people, didn't need any interpreters anymore. They communicated in
little English with gestures etc.

The
Silat (Indonesian martial art) shown in this film rocks. My praise (if it's worth anything) goes
out to Team Silat Harimau, Edwel Datuk Rajo Gampo Alam (fight
choreographer) and Iko Uwais (lead actor) for choreographing the
Indonesian martial arts of Pencak Silat in a way that it looks efficient
and brutal on-screen.
There are some clever ideas, for example a
fight scene at a location with a lot of red containers when Iko faces dozens of opponents.
The filmmakers thought about a way how he isn't attacked by all of the bad guys
at once, as we can see so often in so many other martial arts films. You
know one guy fighting another and all the other bad guys waiting and
dancing around in the background.

If there is one more thing I
would like to praise it would the music and the editing. I don't know if
the film was edited to the music or the music trimmed to the film's
editing or both. But either way the music by Fajar Yuskemal and Aria
Prayogi fits well with the dynamic editing and at some moments during
the film I was and still am hoping that a soundtrack for this film will
be released.
And if
there is one thing I was a bit unhappy about it was the acting of Mads
Koudal, the film's lead villain. He isn't really a bad actor, it's just that you could see that he was applying
all the classic acting techniques you learn at acting schools.

I watched the UK disc of "Merantau". I noted that some scenes that
I had seen in the film's trailer weren't in the film. At first I
thought that maybe the director cut them out of the final film due to pacing
etc., but I found out later that it was cut down to an "International
Version". That's a shame really, because a lot of scenes from the
beginning are missing (the Islamic prayer of Iko and his family etc.)
What bothered me the most, though was the fact that one major fighting
scene is cut out. It is the one that can be seen in the making of, which
takes place in the warehouse where they are recruiting fighters. Sad,
because I would have loved to see that long tracking shot without cut, which is talked about in detail on one of the making of segments on the DVD's special features. It looks like a great fight scene to me and I hope to see an uncut version soon.
For trailer and more more check out:
http://www.merantau-movie.com